My affection for the miniature, lead straight to my interest in ultra-light astrophotography. I intend to push my boundaries and see just how portably I can configure an astrophotography kit that will take good images. High end camera phones are just beginning to be good enough to take recognizable photos at night. I've focused on point and shoot sized phones that can fit in a pocket. With 1" sensors and the ability to take long manual exposures, you can take night sky images worth printing.
My current kit is based on an update to a camera that I've had good experience taking nightscape images in the past. The Sony RX100 V has full manual controls and a 1" sensor with a crop factor of 2.7. This is one of the very smallest cameras with full manual controls. I've taken nightscape images with the first RX100. The updated camera has features that make make it even better for astrophotography including: BSI sensor for better low light capability, a full electronic shutter for vibration free bursts, screen that swivels to face the front, time lapse support, and tethered wireless live view remote control software for a smart phone or tablet.
Lonely Speck has a couple of articles that look at the astrophotography performance of the RX100 and other small cameras: Photographing the Milky Way with a Point and Shoot: A Five Camera Low Light Battle and Sony RX100 Series Astrophotography Review.
There are three configurations of different weights and capabilities that I use for camera lens based astrophotography:
A coat pocket kit with mini-tripod is the sweet spot for a small camera. Adding even a very compact tracking drive makes stepping up to a larger size higher quality APS-C mirrorless camera logical.
My coat pocket sized kit includes a tripod. Most mini tripods are designed for views near the horizon and have balance or clearance problems when aimed at the zenith. My solution combines the very light and rigid Minox Pocket Tripod with an Oben BD-0 Mini Ball Head. The combination ensures that the camera will be balanced on the small tripod no matter where I point it in the sky.
The first examples are all taken with the original RX-100 hand held with whatever support was handy:
The RX100 on a tripod:
The next image is shot with the RX100 V on a tripod. This tiny camera doesn't have the reach of a super zoom. Other than the Moon, for astrophotography, reach requires a tracking mount. With the extra size and weight, I'm inclined towards an interchangeable lens camera with a larger sensor. The Moon image below is a processed stack of 18 images of the waxing gibbous Moon:
Waxing gibbous Moon exposed f/5.6 at ISO 100 for 1/200 sec zoomed to 25.7 mm from a fixed tripod. A 1:1 crop.
The Milky Way above the light dome from Burnet at Canyon of the Eagles with an RX100 exposed for 15 seconds at ISO 3200 f1.8 at 10.4mm on a fixed tripod.
The constellation Orion with M41 taken with a Sony RX100 V on a Vixen Polarie for 1 hour of total exposure. This shot is take from inside Austin's light dome using an ICE LiPo filter to remove light pollution.
A 1:1 crop of Orion's sword from this image is below:
The time-lapse stack of a lunar eclipse below was captured with the help of the time-lapse app on the Sony RX100 V.
Content created: 2017-12-14 and last modified: 2020-10-12